About TrueFiktion
Our Philosophical Belief
We believe that social studies is the most important subject in schools. To thrive in this world, students need high-quality, interdisciplinary, and cross-curricular social studies learning experiences. Without a high-quality social studies curriculum, students will not understand the world they live in and won't have the agency to take the actions they need to pursue positive life outcomes. To provide high-quality social studies resources, we need to translate academic research and learning science into accessible formats. Often, narratives that show historically marginalized groups having agency in history are not accessible to students. Many of these narratives appear in academic journal articles and dissertations, often written in academic language. Textbooks provide surveys and summaries of topics and rarely offer deep research into these untold narratives. These narratives can increase student engagement and drive rigor in historical thinking.
We believe comics will be the future of learning because they are multimodal learning resources that let students easily access the latest historical and learning-science research. In our research and product development, we have created ways to make historical research more accessible. In designing the book, we created multiple approaches to using learning science in teaching comics. Comics are efficient tools for multimodal learning across English Language Arts and Social Studies. Graphic narratives can present the stories of historically marginalized people in an engaging way that humanizes their experiences.
Our Approach
A graphic inquiry is a comic that is designed to teach social studies lessons using inquiry-based pedagogy. The graphic narrative contextualizes primary and secondary sources. It serves as a case study to help students answer an essential question through a fictional character whose story is based on real lived experiences. A graphic inquiry uses a narrative framework that takes a specific approach to using historical sources to craft the story. Our narrative framework centers on agency. We show characters having agency in history by focusing on gaps in history, moments of resilience, and themes relevant to current social issues. The narrative framework drives how the inquiry can be used. For example, March and Maus are graphic novels, but they are not graphic inquiries by themselves because they don’t include a built-in inquiry unit. Building an inquiry around March and Maus and primary sources would make the materials a graphic inquiry. Both books are long-form graphic novels and use an autobiographical narrative framework to present historical information. TrueFiktion’s graphic inquiries differ in that our narrative approach focuses on agency and the use of fictional characters. The inquiry portion includes primary and secondary sources to help students answer the supporting questions. The graphic portion serves as a multimodal access point for critical thinking. The graphic narrative takes a historiographic fiction approach. The category is a platform because the large catalog of resources allows students to engage in critical thinking consistently over time. The platform allows teachers to drive student learning through leveraging technology alongside the graphic inquiries.